A full two weeks before the opening of WCA’s Spring Drama Production, ‘Finding Franklin‘, many elements– from cast knowledge of the script, to prop construction, to technical set-up — were still a long way from a finished production. So much so that it looked to the untrained eye that there was slim chance that the play would be able to be smoothly and effectively performed without a significant uptick in practice time and marathon weekend sessions, which were both impractical. But as we have learned countless times before, with God all things are possible. It also doesn’t hurt to have veteran drama director Cathy Naylor at the helm.

‘Finding Franklin’ was the product of WCA’s unique student-led production process. The skeleton concept of storyline and music are provided using materials from the Fingerprint Productions Drama and Language Arts program conceived and developed by Cathy herself. Naylor has utilized this program to unroll strong youth drama teams everywhere she has taught. The crux of the program is the use of improvisational story and script development that suit the personalities and talents of the students involved in the production, springing forth from 2 or 3 primary musical compositions. This method, of course, differs substantially from the standard drama production method of buying a pre-written script and musical segments and fitting the available performers into the storyline. Instead, students develop their character personalities, habits, idiosyncrasies and most of all, lines and the way in which those lines are delivered, giving them far more substantial ownership over the final product.
The development process is fantastic, but when the process is over, the production becomes one where the cast must rehearse over and over again and memorize lines, and additional parts and extras added to the mix to round out the cast of ‘Finding Franklin’. In addition to the primary cast of shrunken inadvertent time travelers (Lola Geoffroy, Hayden Zima, Janae Palmer, Briana Pearson, Laurel Bray, Kayleigh Breslin and Madison DeRose), the cast included upper school junior Zane Eckols as the central character Henri Chevalier, a time-traveling Frenchman (complete with thick accent) as their guide on a trip
Henri and the time travelers eventually find themselves in 1776 in front of Ben Franklin himself (played by staff member Jeff Sullivan), who shares wisdom regarding some of his inventions, and solicits the young students’ assistance in editing the Declaration of Independence, a task he agreed to on the urging of Thomas Jefferson. With their mission complete, the students return to 2018 while seeing history unfurl before their 
Upon returning to 2018, Henri restores the time travelers to their older selves (played by various teachers and upper school students), who find that almost no time has actually passed, and they are summoned back to class by their teacher. Their debate team leader, however, (teacher Tonya Williams), forgets her glasses by the time machine. When she returns to retrieve them and questions Henri regarding his presence in the school and the monstrous contraption, he accidentally activates it, which shrinks both he and the teacher into 1st-grade versions of themselves in a hilarious conclusion to the play.
In addition to the substantial number of casted parts in the play, was the amount of technical and sound effort that went into the production, from spotlighting to soundtrack, and getting the correct amount of light required backstage to pull off the challenging scrim scene featuring Ben and Deborah as they fall in love. All were seamlessly and expertly handled by the technical director (and 
The cast and crew would like to thank all who came out for both the dinner theater and matinee shows and especially to Mrs. Naylor, who invested countless hours piecing together the various parts into an incredible end product. ‘Finding Franklin’ was a true blessing for all who watched, acted and chipped in. Bravo!
A full two weeks before the opening of WCA’s Spring Drama Production, ‘Finding Franklin‘, many elements– from cast knowledge of the script, to prop construction, to technical set-up — were still a long way from a finished production. So much so that it looked to the untrained eye that there was slim chance that the play would be able to be smoothly and effectively performed without a significant uptick in practice time and marathon weekend sessions, which were both impractical. But as we have learned countless times before, with God all things are possible. It also doesn’t hurt to have veteran drama director Cathy Naylor at the helm.

‘Finding Franklin’ was the product of WCA’s unique student-led production process. The skeleton concept of storyline and music are provided using materials from the Fingerprint Productions Drama and Language Arts program conceived and developed by Cathy herself. Naylor has utilized this program to unroll strong youth drama teams everywhere she has taught. The crux of the program is the use of improvisational story and script development that suit the personalities and talents of the students involved in the production, springing forth from 2 or 3 primary musical compositions. This method, of course, differs substantially from the standard drama production method of buying a pre-written script and musical segments and fitting the available performers into the storyline. Instead, students develop their character personalities, habits, idiosyncrasies and most of all, lines and the way in which those lines are delivered, giving them far more substantial ownership over the final product.
The development process is fantastic, but when the process is over, the production becomes one where the cast must rehearse over and over again and memorize lines, and additional parts and extras added to the mix to round out the cast of ‘Finding Franklin’. In addition to the primary cast of shrunken inadvertent time travelers (Lola Geoffroy, Hayden Zima, Janae Palmer, Briana Pearson, Laurel Bray, Kayleigh Breslin and Madison DeRose), the cast included upper school junior Zane Eckols as the central character Henri Chevalier, a time-traveling Frenchman (complete with thick accent) as their guide on a trip
Henri and the time travelers eventually find themselves in 1776 in front of Ben Franklin himself (played by staff member Jeff Sullivan), who shares wisdom regarding some of his inventions, and solicits the young students’ assistance in editing the Declaration of Independence, a task he agreed to on the urging of Thomas Jefferson. With their mission complete, the students return to 2018 while seeing history unfurl before their 
Upon returning to 2018, Henri restores the time travelers to their older selves (played by various teachers and upper school students), who find that almost no time has actually passed, and they are summoned back to class by their teacher. Their debate team leader, however, (teacher Tonya Williams), forgets her glasses by the time machine. When she returns to retrieve them and questions Henri regarding his presence in the school and the monstrous contraption, he accidentally activates it, which shrinks both he and the teacher into 1st-grade versions of themselves in a hilarious conclusion to the play.
In addition to the substantial number of casted parts in the play, was the amount of technical and sound effort that went into the production, from spotlighting to soundtrack, and getting the correct amount of light required backstage to pull off the challenging scrim scene featuring Ben and Deborah as they fall in love. All were seamlessly and expertly handled by the technical director (and 
The cast and crew would like to thank all who came out for both the dinner theater and matinee shows and especially to Mrs. Naylor, who invested countless hours piecing together the various parts into an incredible end product. ‘Finding Franklin’ was a true blessing for all who watched, acted and chipped in. Bravo!